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Time isn't real. The project melts in and out of tempos and textures, bending the very fabric of space and sound as it pleases. It's music so textural, you can just about feel it on your fingertips. There are highs and lows, breakneck speeds spat against introverted lulls.
G Jones is continuing to prove himself as the golden boy of experimental bass music. Pretty cool stuff. The second track gets things heated up really fast. This one is raw, heavy, piss-your-neighbors-off bass music through and through. The ominous vocal notes gave me shivers off the bat, and I could tell I loved this track 30 seconds in when they were just accompanied by a kick and snare drum. It just really ties together perfectly, and the fast bass hits give it a ton of energy. This one is going to be a trap anthem for years to come. Each of these sections could have been their own distinct song, but I appreciate the dichotomy G Jones brought by weaving them together. He seems to have a lot of those.